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Schroeder held Hartford in her arms while at a museum in December 2022. \"Bougie art collector vibes,\" the reality star captioned the sweet snap, in which she and her baby girl stood in front of a painting.
The cover girl's name is Lisa Hughes, as Kerrang! pointed out on Wednesday (Oct. 28). And while she's previously revealed her identity as Deftones' Around the Fur enchantress, an interview she recently granted to Chilean pop culture site Pousta has revived talk of Hughes' time as an album art model.
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As Women's History Month nears its end, GRAMMY.com celebrates all of the powerful women who have been part of the girl group evolution. (To narrow the field, we characterize a girl group as acts with a minimum of three members and a focus on vocal performance; hence why you won't see bands like the Go-Gos or the Chicks on this list.)
The Andrews Sisters, who officially formed in 1937 as a Boswell Sisters tribute act, would become the most popular of the sister acts, riding tracks like \"Boogie Woogie Bugle Boy,\"\"Don't Sit Under The Apple Tree (With Anyone Else But Me)\" and \"Beer Barrel Polka (Roll Out The Barrel)\" straight to the top of the charts. They're considered one of the most successful girl groups of all time, selling an estimated 80 million records and counting. Other girl groups followed the Andrews' act, including the Dinning Sisters, who released \"They Just Chopped Down The Old Apple Tree\" as an answer to their rivals' hit.
In 1961, the Shirelles found quick success with tracks like \"Tonight's The Night\" and \"Will You Still Love Me Tomorrow,\" which became the first girl group cut to go to No. 1 on Billboard's Hot 100 chart. The group would have five more hit singles throughout the decade, and inspired acts like the Marvelettes, whose \"Please Mr. Postman\" would become the first No. 1 single for Motown Records.
Having seen the success that Motown had in consciously crafting its girl groups, other producers and small, independent labels sought to capture some of that lightning in a bottle for themselves. The Philles label cashed in on the sound of the Crystals and the Ronettes, while Jerry Lieber and Mike Stoller signed the Shangri-Las and the Dixie Cups to their Red Bird label. Tracks like the Shangri-Las' \"Give Him A Great Big Kiss\" offered a surprisingly real perspective on teen girl crushes, while \"Leader Of The Pack\" helped bring female perspective to a subgenre of songs about macabre teenage tragedies previously dominated by all-male acts like Jan And Dean and Wayne Cochran And The C.C. Riders.
First formed in the '60s as Patti LaBelle and the Bluebelles, Labelle pushed the genre out of the sock hop and into the nightclub, becoming one of the premiere girl groups of the '70s. Their funky, rock-infused singles were unlike anything girl group aficionados had heard before, and in 1974, the group captured America's heart with \"Lady Marmalade,\" a slightly suggestive song that broke out of the discos and into the collective consciousness. Other acts originally formed in the '60s found similar success, like the Three Degrees, who had a number of hits, including the sunny and soothing \"When Will I See You Again.\"
Miami's Exposé was one of the decade's biggest freestyle acts, blending girl group harmonies with synthetic sounds for hits like \"Point Of No Return\" and \"Seasons Change.\" Two New York groups, Sweet Sensation and The Cover Girls, had freestyle success that bridged the '80s and '90s. Sweet Sensation's \"Never Let You Go\" tore up the dance charts, and while the Cover Girls' \"Show Me\" and \"Because Of You\" weren't quite as popular, they still hold a special place in the hearts of freestyle fans.
Regardless, both All Saints and the Spice Girls found commercial success, with the latter becoming absolutely massive not just because of catchy pop romps like \"Wannabe,\" but because of the quintet's singular personas and the strength of their \"girl power\" messaging. The Spice Girls even starred in their own movie, \"Spice World,\" which came out at the height of Spice-mania in 1997 and drew instant comparisons to the Beatles' \"A Hard Day's Night.\"
Girl groups continued to reign in the early part of the 2000s. A number of 2000s girl groups formed on television as part of reality programming, with U.K. sensation Girls Aloud forming on the ITV show \"Popstars: The Rivals\" and Danity Kane both forming and developing over three seasons of Sean Puffy Combs' \"Making The Band.\" TV acted as a great launching pad for these pop acts, as fans were often emotionally invested in the group's success from watching the show so when a new single dropped, they were quick to get on board.
Another of the most successful (and sexiest) girl groups of the 2000s also formed in a fairly roundabout way. The Pussycat Dolls found success with tracks like \"Don't Cha\" and \"Buttons,\" but the actual origin of the Pussycat Dolls name and brand came almost 15 years earlier when an L.A. based choreographer named Robin Antin launched a burlesque troupe. After her club events and dancers became more and more popular (even posing for Playboy), she was urged by Interscope Records' Jimmy Iovine to attach the name to a pop group.
Though modern K-pop culture had begun in South Korea in the late '90s, it started to really pick up steam in the '00s, with both boy bands and girl groups benefiting from the surging Hallyu or Korean wave. One of those, Wonder Girls, found quick success in the late '00s with genre-spanning tracks like \"Tell Me\" and \"Nobody,\" thanks in part to the pop act's ability to perform English versions of their songs while on tour with the Jonas Brothers.
Two of the 2010s biggest girl groups also came from televised reality competition shows. Little Mix, a quartet, was formed on the U.K.'s \"The X Factor\" and came to redefine the girl group era in Britain, selling more than 60 million records and topping the charts with high octane singles like \"Cannonball\" and \"Shout Out To My Ex.\"
The quintet emerged from the show signed to judge Simon Cowell's record label, Syco, and like so many great girl groups before it, embarked on a tour of malls and talk shows before eventually releasing a pop record tinged with both hip-hop and R&B. Fans latched on to songs like \"I'm In Love With A Monster\" and \"Work From Home,\" the trap-laced monster hit that has garnered billions of hits on YouTube since its release.
Spurred by the devotion of their fans (known as the BLINKs), BLACKPINK has also managed to rack up an impressive roster of accolades. They were the first Asian act to headline Coachella, the first female K-Pop artists on the cover of Billboard, and have amassed the most subscribers of any musical act on YouTube. But they're not the only female K-Pop act helping girl groups stay alive: Groups like Mamamoo and Red Velvet released hit after hit in the 2010s, and 2NE1 captured hearts everywhere with tracks like \"Lonely\" and \"I Am The Best.\" In 2012, 2NE1 set out on what many consider to be the first world tour by a K-pop girl group, visiting 11 cities in seven countries.
A British girl group whose members pull from their individual cultures to create a unique, hip-hop influenced sound, Flo was also influenced by artists like Ciara and Amy Winehouse. Though they've only been together for a few years, their unique retro sound became almost instantly popular in the UK, with debut single \"Cardboard Box\" racking up almost a million views on YouTube within days of its release in early 2022. Other hit singles, like \"Immature\" and \"Summertime\" have followed. 59ce067264
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